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TPO & OG 听力文本
TPO1 Conversation1 D B C A B
Narrator: Listen to part of a conversation between a student and a librarian.
Student: Hi, I really hope you can help me.
Librarian: That’s why I’m here. What can I do for you?
Student: 1@I’m supposed to do a literature review for my psychology course, but I’m
having a hard time finding articles. I don’t even know where to start looking.
Librarian: You said this is for your psychology course, right? So your focus is on…
Student: Dream Interpretation.
Librarian: Well, you have a focus, so that’s already a good start. Well, there’re a few things,
Oh wait, have you checked to see if your professor put any material for you to look at on reserve?
Student: Aha, that’s one thing I did know to do. I just copied an article, but I still need three
more on my topic from three different journals.
Librarian: Let’s get you going on looking for those then. We have printed versions of 20 or
so psychology journals in the Reference Section. These are the ones published within the last year.
Now that I think about it, there’s a journal named Sleep and Dream.
Student: Oh, yeah, the article I just copied is from that journal, so I’ve got to look at other
sources.
Librarian: 2@Ok, actually, most of our materials are available electronically now. You can
access psychology databases or electronic journals and articles through the library’s computers,
and if you want to search by title with the word dream for example, just type it in and all the
articles with dream in the title will come up on the screen.
Student: Cool, that’s great! Too bad I cannot do this from home.
Librarian: But you can. All of the library’s databases and electronic sources can be
accessed through any computer connected to the university network.
Student: Really? I can’t believe I didn’t know that. It still sounds like it’s going to take a
while though, you know, going through all of that information, all of those sources.
Librarian: Maybe, but you already narrow your search down to articles on Dream
Interpretation, so it shouldn’t be too bad. 3@And you probably notice that there’s an abstract or
summary at the top of the first page of the article you copied. When you go into the databases
and electronic sources, you have the option to display the abstracts on the computer screen,
skimming those to decide whether or not you want to read the whole article should cut down
some time.
Student: Right, abstracts! They’ll definitely make the project more doable. 4@I guess I
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TPO & OG 听力文本
should try out the electronic search while I’m still here then, you know, just in case.
Librarian: Sure, that computer’s free over there, and I’ll be here till five this afternoon.
Student: Thanks, I feel a lot better about this assignment now.
supposed 应该要 Literature Review 文献综述 psychology course 心理学课程 focus 重点
Dream Interpretation 梦的解析 article 文章 on reserve 不外借书目 journal 期刊 printed
versions 印刷版 Reference Section 参考书目区 publish 出版 databases 数据库 available
electronically 以电子版的形式存在 access 进入 databases 数据库 electronic journals 电子期
刊 title 标题 screen 电脑屏幕 network 网络 abstract = summary 摘要 top 顶部 display 显示
skim 快速浏览 definitely 绝对 doable 可行的 assignment 作业 narrow down 缩小范围 cut
down 减少 try out 尝试 just in case 以防万一
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TPO & OG 听力文本
TPO1 Lecture1 Contemporary Art C C A B B A
Narrator: Listen to part of a lecture in a contemporary art class.
Professor: Ok, I’m going to begin this lecture by giving you your next assignment.
Remember I said that at some point during this semester I wanted you to attend an exhibit at the
Fairy Street Gallery and then write about it? Well, the exhibit that I want you to attend is coming
up. It’s already started in fact, but it’ll be at the gallery for the next month, which should give you
plenty of time to complete this assignment.
1@The name of the artist exhibiting there is Rose Frantzen. Frantzen’s work may be
unfamiliar to you since she’s a relatively young artist. But she’s got a very unusual style,
compared to some of the artists we’ve looked at this term. But anyway, Frantzen’s style is what
she herself calls Realistic Impressionism. So you’ve probably studied both of these movements
separately, separate movements, Realism and Impressionism, in some of your art history courses.
So who can just sum these up?
Student: Well, Impressionism started in the late 19th century. The basic impressionist style
was very different from earlier styles. It didn’t depict scenes or models exactly as they looked.
Impressionist painters tended to apply paint really thickly, and in big brushstrokes, so the texture
of the canvas was rough.
Professor: Good. What else? What were the subjects?
Student: Well, a lot of impressionist artists painted everyday scenes, like people on the
streets and in cafés, lots of nature scenes, especially landscapes.
Professor: Good. So when you go to the exhibit, I really want you to take a close look at a
certain painting. It’s a farm scene. And you will see it right as you enter the gallery. 2@The reason
I think this painting is so important is that it stresses the impressionist aspect of Frantzen’s
style. It’s an outdoor scene, an everyday scene. It’s kind of bleak, which you can really see those
broad brushstrokes and the blurry lines. The colors aren’t quite realistic. The sky is kind of; well,
in a natural pinkish yellow. And the fence in the foreground is blue, but somehow the overall scene
gives an impression of a cold, bleak, winter day on a farm. So that’s the impressionist side of her
work.
Oh, and speaking about farms, that reminds me. One interesting thing I read about Franzten is
that when she first moved back to Iowa after living abroad, she often visited this place in her town
called the Sales Barn. And the Sales Barn, it was basically this place where the local farmers
bought and sold their cattle, their farm animals. 3@And the reason Frantzen went there, and she
later on would visit other places like dance halls, was to observe people and the ways that they
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TPO & OG 听力文本
moved. She really found that this helped her work; that it gave her an understanding of body
movements and actions, how humans move, and stand still, what their postures were like, too.
So, what about Realism? What are the elements of Realism we should be looking for in
Frantzen’s work?
Student: Real honest depictions of subject matter, pretty unidealized stuff, and pretty
everyday subject matter, too.
Professor: Good. One other painting I really want you to look at is of a young woman
surrounded by pumpkins. You will notice that the woman’s face is so realistic looking that it’s
almost like a photograph. The woman’s nose is a little less than perfect and her hair is kind of
messed up. 4@This is realism. But then, the background of the painting, this woman with the
pumpkins is wrapped in a blanket of broad thick brushstrokes, and, it’s all kinds of zigzagging
brushstrokes and lines, kind of chaotic almost when you look at it close. And there are vibrant
colors. There’s lots of orange, with little hints of an electric blue peeking out.
6@I find Frantzen to be a very accessible artist. I mean, some artists, to appreciate
them, you have to know their life story. But here’s a little bit about Rose Frantzen’s life
anyway. She attended art school, but was told by one of her instructors that she was not good at
illustration, that she should go into advertising instead. So she took advertising classes and fine
arts classes too, until she was convinced by the head of an advertising agency that her work was
really good, that she could be an artist. But of course, it’s not as easy as that, and so Frantzen had
to paint other people’s portraits at places like art fairs just to make money to buy paint for her
more series of art work. No matter what, she never stopped painting. And now, Frantzen is doing
extremely well. And her work is being shown all over the country. 5@So I think most of us would
be discouraged if we had to face challenges and difficulties like that. But what’s important is
that you keep at it that you don’t give up. That’s what is really important to remember.
contemporary art 当代艺术 Realism 现实主义 Impressionism 印象派 paint 颜料 depict 描绘
blurry lines 模糊的界限 brushstrokes 笔刷,画法 texture 质地 canvas 画布 rough 粗糙的
landscape 风景惨淡的 subject matter = subject 主题素材 unidealized 非理想化的 stress 强调
bleak 阴冷的 zigzagging 之字形 electric blue 乌青 accessible 可接近的,亲切的 chaotic 混乱
的 vibrant 充满活力的 illustration 插画 background 背景 messed up 混乱的 No matter what
不管怎么样 keep at it 坚持
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TPO & OG 听力文本
TPO1 Lecture2 Geology B D * B A B
Ok, let’s get started. Great, 1@today I want to talk about a way in which we are able to
determine how old a piece of land, or some other geologic feature is-dating techniques. I’m
going to talk about a particular dating technique. Why? Good dating is a key to good analysis. In
other words, if you want to know how a land formation was formed, the first thing you probably
want to know is how old it is. It’s fundamental.
Take the Grand Canyon for instance. Now, we geologists thought we had a pretty good idea
of how the Grand Canyon in the southwestern United States was formed. We knew that it was
formed from sandstone that solidified somewhere between 150 and 300 million years ago. Before
it solidified, it was just regular sand. Essentially it was part of a vast desert. 2@And until just
recently, most of us thought the sand had come from an ancient mountain range fairly close by
that flattened out overtime. That’s been the conventional wisdom among geologists for quite
some time. But now we’ve learned something different, and quite surprising, using a technique
called Uranium-Lead Dating.
I should say that Uranium-Lead Dating has been around for quite a while. But there have
been some recent refinements. I will get into this in a minute. Anyway, Uranium-Lead Dating has
produced some surprises. Two geologists discovered that about half of the sand from the Grand
Canyon was actually once part of the Appalachian Mountains. That’s really eye-opening news,
since the Appalachian Mountain Range is, of course, thousands of kilometers to the east of the
Grand Canyon. Sounds pretty unbelievable, right?
Of course, the obvious question is how did that sand end up so far west? The theory is that
huge rivers and wind carried the sand west where it mixed in with the sand that was already there.
6@Well, this was a pretty revolutionary finding, and it was basically because of Uranium-
Lead Dating. Why? Well, as everyone in this class should know, we usually look at the grain
type within sandstone, meaning the actual particles in the sandstone, to determine where it
came from. You can do other things too, like look at the wind or water that brought the grains to
their location and figure out which way it was flowing. But that’s only useful up to a point, and
that’s not what these two geologists did.
Uranium-Lead Dating allowed them to go about it in an entirely different way. What they did
was: they looked at the grains of Zircon in the sandstone. Zircon is a material that contains
radioactive Uranium, which makes it very useful for dating purposes. Zircon starts off as molten
magma, the hot larva from volcanoes. This magma then crystallizes. And when Zircon crystallizes,
the Uranium inside it begins to change into Lead. 3@So if you measure the amount of Lead in
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