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人类对视觉信息的感知是一个复杂的过程,它涉及到大脑、眼睛和环境等多个方面。数据可视化是一种将数据转换为图形或图像的方法,以便人们更容易地理解和分析数据。在数据可视化中,人类感知视觉信息的能力是至关重要的。通过使用颜色、形状、大小、位置等视觉元素,数据可视化可以帮助人们更好地理解数据。同时,数据可视化也需要考虑人类视觉系统的局限性,例如颜色盲、空间感知等问题。因此,数据可视化需要结合人类视觉系统的特点来设计和实现。
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BogdanIonescu
WilmaA. Bainbridge
NailaMurrayEditors
Human
Perception
ofVisual
Information
Psychological and Computational
Perspectives
Human Perception of Visual Information
Bogdan Ionescu • Wilma A. Bainbridge
Naila Murray
Editors
Human Perception of Visual
Information
Psychological and Computational
Perspectives
Editors
Bogdan Ionescu
Politehnica University of Bucharest
Bucharest, Romania
Wilma A. Bainbridge
University of Chicago
Chicago, IL, USA
Naila Murray
NAVER Labs Europe
Meylan, France
ISBN 978-3-030-81464-9 ISBN 978-3-030-81465-6 (eBook)
https://doi.org/10.1007/978-3-030-81465-6
© The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland
AG 2022
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether
the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse
of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and
transmission or information storage and retrieval, electronic adaptation, computer software, or by similar
or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication
does not imply, even in the absence of a specific statement, that such names are exempt from the relevant
protective laws and regulations and therefore free for general use.
The publisher, the authors, and the editors are safe to assume that the advice and information in this book
are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or
the editors give a warranty, expressed or implied, with respect to the material contained herein or for any
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This Springer imprint is published by the registered company Springer Nature Switzerland AG
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Preface
There is one thing the photograph must contain, the humanity of the moment.
—Robert Frank
Computational models of objective visual properties such as semantic content
and geometric relationships have made significant breakthroughs using the latest
achievements in machine learning and large-scale data collection. There has also
been limited but important work exploiting these breakthroughs to improve compu-
tational modelling of subjective visual properties such as interestingness, affective
values and emotions, aesthetic values, memorability, novelty, complexity, visual
composition and stylistic attributes, and creativity. Researchers that apply machine
learning to model these subjective properties are often motivated by the wide range
of potential applications of such models, including for content retrieval and search,
storytelling, targeted advertising, education and learning, and content filtering. The
performance of such machine learning-based models leaves significant room for
improvement and indicates a need for fundamental breakthroughs in our approach
to understanding such highly complex phenomena.
Largely in parallel to these efforts in the machine learning community, recent
years have witnessed important advancements in our understanding of the psycho-
logical underpinnings of these same subjective properties of visual stimuli. Early
focuses in the vision sciences were on the processing of simple visual features
like orientations, eccentricities, and edges. However, utilizing new neuroimaging
techniques such as functional magnetic resonance imaging, breakthroughs through
the 1990s and 2000s uncovered specialized processing in the brain for high-level
visual information, such as image categories (e.g., faces, scenes, tools, objects) and
more complex image properties (e.g., real-world object size, emotions, aesthetics).
Recent work in the last decade has leveraged machine learning techniques to
allow researchers to probe the specific content of visual representations in the
brain. In parallel, the widespread advent of the Internet has allowed for large-scale
crowd-sourced experiments, allowing psychologists to go beyond small samples
with limited, controlled stimulus sets to study images at a large scale. With the
combination of these advancements, psychology is now able to take a fresh look at
v
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